Writing for Readers

I’m both a reader and writer; more of the former than latter. I’ve always maintained that there is no such genre as fiction, primarily because actual fictional prose would be incomprehensible. Not so much in terms of language or syntax — even that makes sense when done correctly — but in the shared human existence. When we read, we filter the story through our own biases and empirical history. Even if we have no relevant parallel to the narrative, we can still imagine the scenario and empathize with the fictional characters.

As a writer, the question becomes: Do you write ‘what you know’, or create an entire landscape with no semblance to reality? The most successful books, screenplays and movies, are either lushly detailed fantasies set in exotic realms far away, or romantic struggles that echo the common frustration and exhilaration of finding that special life-partner. “Know your audience” is drummed into every hack that has ever put stylus to papyrus. There is no magic formula for writing; just hard work and placing word after word until the manuscript is completed.

Last year at this time, I was working on a short story for a Sexy Little Pages submission called “Corrupted”. The editor, Charlie Powell, broadcast the following information.

“Since the beginning of time, everything has been promised to liberate women has also been accused of corrupting them. Think suffrage, trousers, the pill, the internet, feminism, learning to drive, owning a house, having a bank account, working… Or, more recently, alcohol consumption and selfie culture. I’m looking for fresh and sexy takes on these issues, along with anything else that women have been criticised for doing.”

I started blocking out a plot, who, where, when and why. The lead character is in the title: Ghosting past Emily. As always, that came first. The ghosting refers not to specters haunting a dark mansion, but the practice of deliberately — and without warning — dropping all electronic contact with someone.

The place, San Francisco. Silicon Valley. Emily is in tech, not programming though. She’s Japanese-American, another strike, and lastly, a dominatrix on the side. All the ingredients needed to raise the hackles of white male dominated corporations. The irony is, this was written before that bastion of power and sex started to crumble under the relentless onslaught of pissed off women.

My short story of 3,900 words was accepted for inclusion in September, 2017 and Ghosting past Emily is now available for pre-order from Amazon Kindle for $3.99. The publication date for the Corrupted anthology is March 8th, 2018.

byron-cane

I didn’t choose the sentence in the graphic, by the way. I’m unsure as to how much if any of my story I can share, so for now, that will have to do.

4 thoughts on “Writing for Readers

  1. I now have my copy on pre-order! I think ‘Ghosting past Emily’ is a fantastic story and deserves its place in the anthology without a doubt.

    The whole idea of writing for the market can be okay for some, and for others it can be arduous at best, creativity-stifling at worst. I was reading something the other day which stated that creatives should focus on what they want to create, experiment, try lots of things, some of which will be better than others, and not look for validation in others’ critiques. In a consumer marketplace where the review can (if you wish) be bought, holding onto that kind of creative authenticity can be an interesting and rocky road for writers.

    Liked by 1 person

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